Freehand flower and bird painting composition, color use, technique, and painting method.

2 thoughts on “Freehand flower and bird painting composition, color use, technique, and painting method.”

  1. Freehand drawing method

    The freehand drawing method refers to the spiritual meaning of the object of the object with a simple and general pen and ink. According to the records in the history of painting, the Jialing Rivers and Water of the Jialing River or Wang Qia's pouring ink painted by Wu Daozi in the Tang Dynasty may already have a freehand form. In the freehand drawing method, Xu Wei in the late Ming Dynasty also drawn a happy freehand with a bold pen and ink, as shown in the figure below. The Ba Dashan people, the eight monsters of Yangzhou, and the Golden Stone Painting School have expanded a lot of fields to freehand flowers and birds.

    The freehand flower and bird painting method is mostly used with the technique of "dot" or "dot cluster", which can be subdivided into the number of hook flowers point leaf method, small freehand method, uppercase meaning method, etc. Painting meaning is suitable for raw paper, which can be drawn with ink color separately, or several colors can be used to draw. Instead of tune the light color, the reef is dark in the pen tip, or you can first reef darkly before dipping water to draw. Each stroke must be changed. Different effects of wet, thick, and light.

    The wisteria, which is demonstrated by Wu Xue as a demonstration of Professor Wu Xue, first understands its structure with a dual hook drawing method. The wisteria flowers are used with freehand drawing method. First, the sheep's pens are dipped in white powder, the tip of the pen is dipped in the green, and then dipped in the red side of the red side, that is, the petals with a thick and color change are drawn. Draw the stems, order the flower, and order the stamens with yellow powder. In addition, the structure, leaf order, and vine method of the leaves should also be paid attention to.
    Anyway, although the freehand drawing method has the saying that "the intention is not written", the form is simple or the image is not accurate. If you work more and observe the sketching, you can use the characteristics of simplicity.
    The basic techniques of animal and beast paintings of national painting

    Animal beasts, also known as beasts, are a better performance in Chinese painting. Seeing, people who make people feel horrible, can be deceived by their impermanence and impermanence, but they think it is expensive at the end. However, the dogs and cow and tigers are normal. It is not expensive. "From this, we can see that the beasts have a constant shape, that is, each animal has a certain body shape, proportional and dynamic, and is not cautious. The observation is not carefully observed, that is, it is easy to flow into a laughing stock. The commonly painted beasts include horses, cows, tigers, lions, deer, sheep, apes, cats, dogs, raccoon, rabbits, buns, mules, and symbolic power. Each kind of beast has different characteristics and habits, Before painting, you must observe and sketch in detail.
    The observation and sketch of animal and beasts

    The ancient painters in my country attach great importance to observation, such as Yi Yuanji, who is good at painting apes, once traveled to Jing, Lakes, went deep into the mountains, observed the beasts The attitude of moving and quiet, so the beast painting is interesting. Each time Li Gonglin passed through the hobby, he saw the Royal Horse in it, and he would observe in the final day and had no time to talk to the guests. It is said that Zhao Yong, a master of painting horses in Yuan Dynasty, was said to be a stimulating dust. The mother tube lady looked at it from the window and was seeing a rolling horse. Its temperament. It can be seen that the well -achieved day family attaches great importance to observation, and even imitate its actions in person to vividly express the characteristics and fun of animals and beasts.

    It Su Dongpo's postscript once mentioned that the collector Du Shishi in Shu was exposing his calligraphy and calligraphy one day. One shepherd saw one of the bulls wearing Song Day. Bull fighting also, the beef fighting power is in the corner, the twitching into two stars, today the ending and fighting, the fallacy. "The shepherd child often lives with the cattle and found that when the cow is in the corner, the ox tail is tightly clamped between the two stars, and the Tang Dynasty The observation of Dai Song, a famous master, is still uncomfortable, causing mistakes, which is worthy of our borrowing mirror.

    This Chinese painting has always advocated "both the gods and the gods, and the gods write the gods", and the painting beasts and beasts are no exception. Although the beast also has the facial features and limbs, its ability to express emotions is not as rich as humans. However, we cannot ignore its delicate dynamics and expressions. Each animal has a unique way to express anger and sorrow. In addition, animals also have many special habits and dynamics, such as deer and tiger ears that can turn in all directions at will, like listeners, they can perceive the extremely slight sound; the pupils of cats, tigers and other eyes can sensitively follow natural light with natural light The changes and opening and closing are like the principle of the aperture of the camera; the tail of the animal has a balanced effect and can regulate various attitudes. These characteristics should be noticed.

    This cats show the characteristics of good and cleverness. It is necessary to produce a heroic character of the day. The character of each animal must be studied slightly before the day.

    This should have an understanding of animal anatomy during sketching. At least, the relationship between the bones and muscles must be observed first. Tiger skin, ignoring its skeletal and tendon's repeatability to display tiger prestige.

    The sketch is a must -have means of accumulating creative materials and capturing vivid images. However, it is through the method of observing the combination of silent painting to draw a vivid image. For day -day animals, you should master the expression, especially when you pay attention to the moment when you transition from one dynamic to another. With only a few strokes, you must accurately show the characteristics of the beasts. The contrast and combination of the direction. Taking the sketch draft of Professor Liang Zhongming who is good at walking beast painting as an example, with the monkey albums expressed in ink and ink, you can find that he is diligent in observing sketching and helps.

    The freehand method

    In the freehand method to draw animal beasts. As early as the day of the Han Dynasty and Wei and Jin brick paintings, a slightly bold expression method can be seen. There are also Zen tigers in the painting, but the Ming Dynasty is more popular with freehand paintings. For example, there are also beasts in the sketch of Shen Zhou. Broken ink sweeps the cow hair, and it is interesting. Modern animal and beast painters are mostly expressed in freehand methods, such as Xu Beihong's "double horses", combined with the bright and dark concepts and correct anatomy knowledge of Western paintings, showing the vast Mercedes -Benz spirit. Lin Yushan's tiger shows a fierce and majestic momentum. Qi Baishi and Li Keran have unique personality.

    The freehand drawing method is a concise pen and ink, which shows rich content and can evoke the imagination and appeal of the viewer. For example, the tedious light and shadow can be omitted. Eyes can be exaggerated. As for the treatment of the scene, it must be arranged according to the different habits and living environment of various beasts. For example, the beasts growing in tropical areas should not be matched with a cold plant. Beasts such as cattle and horses can not rely on the scenery to set off, leaving whitening, or dyeing some grass colors on the ground, such as Xu Beihong's horse, mostly in the way of whitening, let the viewers be free to associate.

    The freehand painting method of tiger: first use the light ink super draft to draw the form, the vermiculite tune the vine yellow painting tiger body, and then use a slightly thick ink painting pattern, white powder dyeing mouth, front chest, etc., and in order The second time in vermiculite was dyed. After the light ink is broken, the freehand drawing method of dipping tigers demonstrates the thick ink painting eyes, ear and heavy hook markings, the second dyeing white powder and thick ink fine hair, white powder painting tiger must be completed, and finally the scene is completed. It is roughly carried out at the same time when painting, which worsens

    The main category of traditional Chinese painting. Chinese painting has no certain name in ancient times. It is generally called Dan Qing, mainly refers to the scroll painting painted on silk, paper and mounting. In modern times, it is called Chinese painting for foreign paintings such as oil paintings (also known as Western paintings) in the West (also known as Western painting), referred to as "Chinese painting". It is a painting created by the unique brushes, ink and paint in China, and the painting created in accordance with the long -term formation form and art rules. Chinese paintings can be subdivided into ink painting, heavy color, shallow, gong, freehand, white painting, etc.; According to their themes, there are character paintings, landscape painting, flower and bird painting, etc. According to their subject matter. The formats of Chinese paintings are relatively diverse, with long curls (also known as hand rolls), horizontal wipes, and vertically expanded in the horizontal direction. There are albums, buckets on the size of the scale, and folding fans, group fans, etc. painted on the fan surface. In terms of ideological content and artistic creation, Chinese painting reflects the social consciousness and aesthetic taste of the Chinese nation, and concentrates the Chinese people's understanding of the political, philosophy, religion, morality, literature and art associated with nature, society and it.

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